Some two decades ago after the success of Star wars and the overwhelming victory of Jaws, George Lucas and Steven Spielberg pulled their awesome creative genius to give birth to a relic hunting, treasure seeking, professor of Archaeology known as Indiana Jones.
Harrison Ford’s most beloved character and his thrilling adventures through ancient ruins, whilst rescuing legendary artefacts with supernatural powers; captured the hearts of film lovers across the globe. After triple triumph of the original trilogy, Indiana Jones became a household hero whose quests somehow transcended age and gender, bringing families together in a way no other action hero achieved before his reign. After that, fans of the hat wearing saviour would have to wait nineteen years with berated breath for the final collaboration of Ford and Spielberg.
At 65 some might say that Harrison was over his action hero days and during the first twenty minutes I began to doubt how much the mature Indy could handle, but the nostalgic magic of the bygone era kicked in and all was well. Ford held his own as Spielberg recreated the 50’s with a stylistic and sometimes childish enthusiasm, keeping Indy at the top of his game and looking exactly how we remember him.
The Kingdom of the Crystal Skull relentlessly stuck to the successful formula of an Indy flick, the adventure as always starts in the middle of a lecture in a quaint university, Indy is rockin the cool lecturer role, when suddenly an old friend (or in this case an unexpected family member) turns up to enlist his expertise in a hunt for a powerful and mystic relic. Except this time, Indiana Jones goes sci-fi and begins chasing aliens from an ancient civilisation much to the expense of the film. It felt as though Steven tried to modernise Indy 4 leaning more towards the sci-fi route, forsaking the original supernatural elements which is what I thought gave the trilogy its uniqueness in amongst the other films of its decade.
As for the rest of the cast there was no fault to be found, Shia LaBeouf and Cate Blanchett played their parts brilliantly and didn’t over step the screenplay boundaries, allowing Ford to prove he’s still got what it takes. The return of one specific character was quite an ingenious move on Spielberg’s behalf, bringing back the old love/ hate relationship between two estranged lovers made for some hilarious one liners. LaBeouf was also a welcome breath of fresh air playing the street wise, artful dodger type runaway which clearly fills the criteria for another young Indiana Jones. As the film draws to an end, Indy reflects on his own youth and the strained relationship with his grail obsessed father giving a sense of finality to Indy’s adventures.
Overall the film did what it was suppose to do, it allowed fans to say goodbye to the action hero and it didn’t stray from what made the trilogy great in the first place. However die hard Indy followers may not be impressed with the parts of the plotline that include a few unforgivable appearances by ‘Inter dimensional beings’, which made for a load of uninteresting antics in a bid for a sci-fi theme. But the characters are still reminiscent of the old films, forgiving any plotline shortcomings and the gags throughout always amounted to a resounding giggle from the audience. The Kingdom of the Crystal Skull did all anyone could ever ask of the final crusade, Indy can now rest his hat for the last time knowing he has done all he can do in his farewell movie.